Good day, good year and welcome to the year 2015! Can you believe it’s been over two years since everyone thought the world was going to end? I have to say, I’m glad those people were wrong, although I did enjoy the 2009 film it inspired. Now about a month ago, I began a series exploring the origins of the zombie myth. In part one, I laid out the Haitian Voodoo origins of the “zombie” term. Essentially, a zombie is a person who is poisoned into a near-death state by a bokor (Voodoo witch doctor) and then revived, then kept under the influence of cognitive-inhibiting drugs in order to be retained as a slave. Now the question becomes: how did we go from a poisoned-revived-drugged slave of a Voodoo bokor to the flesh- or brain-eating reanimated dead that fill our silver screens today (sometimes done well, sometimes done very poorly)?
On the surface, the “reanimating of the dead” is a clue as to the connection. After all, a bokor who is reviving a person would appear to be “raising the dead.” And furthermore, a victim kept drugged and enslaved certainly tends to possess the diminished mental prowess that we see in the zombies in film. But then there’s the big kicker: the cannibalism. Where did that part of the myth come from?
One of the earliest original precursors to today’s zombies appears in Richard Matheson’s 1954 novel, I Am Legend. Although the creatures in his novel are referred to as vampires and bear many similar characteristics to vampires (aversion to light and holy objects, as well as the protagonist’s choice to kill them with stakes through the heart), the behavior of Matheson’s vampires are closer to the rabid zombies that showed up in fiction later on. But the more far-reaching effect of I Am Legend was its influence upon the father of the zombie genre: George A. Romero.
Romero’s 1968 film, Night of the Living Dead, can truly be considered the film that transformed the zombie myth into what it is today. In this movie, the dead are brought back to life presumably as a result of a space probe exploding in the atmosphere, dispersing a strange type of radiation that it picked up from Venus (that came from the movie, so don’t get mad at me for the scientific issues there). These reanimated dead – referred to in the movie simply as ghouls – are cannibalistic in nature, appear in swarms and spread their infection through biting.
It took another 17 years before Dan O’Bannon’s 1985 film, Return of the Dead, switched up the mythos, with the zombies specifically interested in brains, as opposed to simply flesh. While the brain-eating function of zombies (as well as government experimentation being the origin of the zombiism) are staples of the zombie genre, those two points appear to be dying out in recent years, with many good and terrible zombie films following more in line with the Romero conception.
So George A. Romero – under the influence of Richard Matheson’s novel – seems to have bridged the gap between the Voodoo bokor zombies and the flesh-eating living dead in film and television today. But interestingly enough, in his original 1968 film, Romero never actually used the word “zombie”; that name was applied by the fans afterward, and it stuck. Romero has since come to be identified as the “Godfather of the Zombie Genre,” though the contributions of Matheson and O’Bannon should not be overlooked.
Until next time, friends…
Stay tuned for my next blog post, in which I’ll explore some of the deeper, cultural impacts of zombie films!
The Outside View 